Short-form editor and creative director. I cut for the fight world and the labels and brands that want its audience, and I run Strike House, the creator network DAZN works with on fight weeks. Available for freelance projects, monthly retainers and the right full-time seat. Every number on this page has a screenshot behind it.
Partners, paying clients and the promotions whose cards the network covered in 2026. Every one has a page behind it.





My own advert, start to finish: concept, motion, edit and sound. It's here because the fastest way to judge an editor is to watch what he makes when the client is himself.

Strike House is the creator network I built out of boxing.arc: 100+ boxing and MMA edit pages that post as one wave when it matters. Promoters and broadcasters get a fight week covered from the press conference to the morning after. Labels get a track under every edit. Brands get the fight audience instead of an ad next to it. I run it end to end: the roster, the brief, my own edits, the count and the recap page.
The card, the assets we can use, the link or the sound on every post, the dates. Every creator gets the same brief so the wave lands as one.
Build-up edits, the face-off cut the same night, the weigh-in, fight-night stories, then the result while it's the only thing on anyone's feed.
A recap page inside 48 hours: every post with its Studio screenshot, the call to action marked, one honest shortfall with its fix.
18 posts from four creators, one of them past 8M. The wave that proved the MMA pages move like the boxing ones.
Open the recap ↗13 posts, a card nobody briefed, counted the same way as the ones that were.
Open the recap ↗
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DAZN brought the network into its creator programme in July for Joshua's return. Since then the pages have covered six DAZN cards, the DAZN posters, end cards and PPV link on the posts, every one counted and sent back as a recap page DAZN forwards internally. October was the biggest: two cards, 164 receipted posts, 33 stories pushing the link to the bell.
The first brief. 36 videos in 15 days, the DAZN end card on every edit.
Snapshot ↗The network run across two August cards, four creators carrying the headline.
Recap ↗164 posts from 30 creators, Canelo alone 32.3M, 33 stories on the link.
Fight Month ↗The biggest month in one page: both October cards, every post with its Studio screenshot and its call to action marked.
Open Fight Month ↗
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Two Queensberry cards ran on the network in 2026 and nobody briefed either. For Itauma vs Hrgovic the pages carried the build-up from three weeks out. For the Dubois vs Wardley rematch I was accredited and in the building all week, the press conference, the weigh-in and fight night, cutting the same night and filming the vlog. Afterwards the promotion got a receipt page with every number next to its screenshot.


The full receipt page went to Queensberry after the rematch: both cards, every post, every screenshot.
Open the Queensberry page ↗Projects or retainers. Send the brief and you get a price and a one-page plan back the same day, in the reply, not on a call.
TikTok, Reels and Shorts cut from your footage or mine. Hooks, pacing, sound, captions, the end card that sends people where you need them.
For a brand or a person who needs to show up every week without thinking about it. I set the tone, build the calendar and the hook library, cut the content and report it.
For labels, promoters and brands who want the fight audience, not an ad near it. One brief, 100+ boxing and MMA pages, the link or the sound on every post, the recap page inside 48 hours.
What the content has to feel like and what it has to do: sell the fight, land the record, fill the clinic. I learn your tone and your audience before anything gets cut, and the brief fits on one page.
Short-form built on rhythm, pacing and a story, posted on the dates we agreed. Clean is the minimum. It has to say something, and it has to end with the thing you want people to do.
Every post with its screenshot from the platform's own analytics, what worked, what gets scaled, one honest shortfall with its fix. The same standard I hold the 30-creator waves to.
I'm Jude. I box, I edit, and I built a creator network out of a boxing page. Boxing taught me the only thing that matters in content: show up every day, stay composed under pressure, and let the work speak before you do.
boxing.arc went from nothing to 100K followers in under a year and sits at 139K+ with 19M+ likes. Strike House grew out of it into the network DAZN brief on fight weeks, 100+ boxing and MMA pages, 30 creators on the October wave. The edits land because I train, watch, and spend my weekends in gyms and at the fights. Fight culture knows when something is made by one of its own.
Tools: CapCut, Premiere Pro, After Effects, TikTok Studio, YouTube Studio, and a spreadsheet for every receipt.
A project, a retainer, or a fight week. Tell me what it is, who it's for and when it needs to be live. You get a price and a one-page plan back in the reply.